Videographers

Stories, how-tos, and product news for photo and video teams.

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Video export: three destinations with different settings
Videographers·Aug 20, 2026·8 min read

Video Export Settings: For Clients, YouTube and Your Archive

Bitrate, resolution, codec and container explained clearly — with concrete values for client review, YouTube and archive, and why one export is rarely enough.

ProRes and H.264 compared: three roles in a video workflow
Videographers·Aug 19, 2026·8 min read

ProRes vs H.264: Which Codec for What (and Why You Need Both)

Editing, delivery, archive — the three roles in a video workflow and which codec fits each. With the ProRes variants explained plainly and the usual mistakes.

Colour grading in DaVinci Resolve: the node tree from correction to look
Videographers·Aug 18, 2026·9 min read

DaVinci Resolve Color Grading: The Foundation That Actually Holds

Nodes, colour wheels, curves and scopes explained clearly — a node tree that works on every project, plus the mistakes that cost beginners the most time.

A square morphing into a circle and then a pill shape, the basis of Apple-style UI animation
Videographers·Aug 18, 2026·9 min read

Shape morphing in After Effects: the Apple-style UI animation, explained

How to morph shapes in After Effects without breaking the corners — the Rectangle Path method behind Apple-style UI animations, plus the Bezier route for complex shapes.

After Effects timeline with a bounce expression applied to a position property
Videographers·Aug 14, 2026·8 min read

The After Effects bounce expression: copy it, then understand it

A bounce expression for After Effects that settles cleanly and stops on its own — with an explanation of every parameter, so you can tune it instead of guessing.

Camera shutter angle diagram showing the relationship between frame rate and shutter speed
Videographers·Aug 11, 2026·10 min read

Shutter speed for video: the 180-degree rule and when to break it

Shutter speed for video explained — the 180-degree rule, why double your frame rate looks natural, how to avoid flicker under artificial light, and when the rule stops applying.